Charles Loring Brace, a young Presbyterian minister with a big heart, was deeply distressed at the plight of the tens of thousands of abandoned children who roamed the streets of New York City in the early 1850s. Brace saw them everywhere. To stay alive, they had to beg and steal. In even the coldest weather, they had to sleep outdoors. Some of the street children were orphans. Others had been turned out by parents too poor to feed them. Or they had become lost in the vast city, or had run away because of abuse. Many were the children of immigrants and had no other family in this country. Brace was determined to do something. He raised money and started the Children’s Aid Society (CAS) to assist homeless children. While he started several beneficial programs for them, mostly he wanted to find them families—ones that would nurture, protect, and love them. Small town and farm folks would be best, he reasoned. He felt they were goodhearted and would be touched by the children’s plight and want to help. The child they took would help with chores and field work, just as all children did at that time. Could such a plan work? He decided to find out. So began what was soon known as the orphan trains. CAS assumed guardianship of orphans and children whose families couldn’t—or wouldn’t—care for them. Many lived in CAS facilities for months, growing strong and ready for travel. Then, in groups averaging 25 to 50, the children boarded trains dressed in new clothing, hair neatly trimmed, and bibles in hand. Posters went up in small towns along the tracks, announcing when the children would arrive. When they did, they were lined up, looked over, and matched with interested families. Whenever possible, CAS agents traveling with the children placed siblings together or near each other. They also tried to follow up on every placement, moving children to new homes if there were problems. Between 1854 and 1930, a quarter-million children made this journey in search of families to call their own. Sometimes they were taken only to be laborers or were never truly loved or accepted. But for most it worked well, and for some it worked splendidly. Said one rider who found a happy home at the end of the ride, “My life began when I got off that train.”
0 Comments
![]() Buffalo Bill was the ultimate showman, the superstar of the fabled Wild West show that toured America, Europe, and Russia for forty years. He was so famous that he performed for the queen of England and was friends with several American presidents. But who was the person behind that celebrated name? He was born William Frederick Cody in 1846 and called Billy. When he was eight, his family moved to Kansas Territory to become homesteaders. Kansas was in turmoil over the issue of joining the Union as a free or a slave state. Billy’s father, who opposed slavery, was stabbed by a pro-slaver. He died three years later from his injury, leaving eleven-year-old Billy, the eldest son, to support his mother and six siblings. Jobs were scarce, but Billy was already an expert horseman and a hard worker. A freight company paid him a man’s wages to work on supply wagons headed west. When he was just fourteen, he rode the Pony Express. He learned to be a trapper, trail guide, scout, and fine marksman. These dangerous jobs allowed him to care for his family while doing work he loved. When the Civil War started in 1861, seventeen-year-old Billy enlisted, becoming a Union soldier, scout, and spy. After the war he worked as a civilian guide for the army, fought in the Indian Wars, and earned the nickname Buffalo Bill from Kansas railroad workers amazed by his skill in downing buffalo to provide meat for them. He used that name when he created a show about the Old West that he loved so much—and which was fast disappearing. His show debuted in 1883 and was immediately successful. It featured sharpshooter Annie Oakley, hundreds of Native Americans, trick riders, cowboys and cowgirls, a runaway stagecoach, buffalo, and horses galore. People loved it, and Bill grew famous. So who was he? A showman, yes, but also a generous philanthropist, a conservationist of western lands, and a supporter of women’s rights. When necessary, he fought Native Americans, but also befriended them. He paid them fairly and brought them recognition and dignity by featuring them in his show. Above all, he was always Billy Cody, a brave boy who cared for his family and fought for his country, a boy who loved the West and brought it to life for millions of enthralled viewers around the world. He was truly an American icon. ![]() To learn more about Buffalo Bill’s childhood, you’ll want to read Andrea Warren’s newest book, The Boy Who Became Buffalo Bill: Growing Up Billy Cody in Bleeding Kansas. Learn more about all her books at AndreaWarren.com. ____________________________________________ Andrea Warren is a member of iNK's Authors on Call and is available for classroom programs through Field Trip Zoom, a terrific technology that requires only a computer, wifi, and a webcam. Click here to find out more. ![]()
One of the joys of research is uncovering the unexpected. Most recently this happened to me when I was writing Charles Dickens and the Street Children of London. Dickens was a patron of the London Foundling Hospital, a charitable home for orphans founded in 1741. (Foundlings were children whose parents were unknown, and hospital meant shelter back then.)
Researching the Foundling, I learned that a century before Dickens, German composer George Frederic Handel was one of its greatest benefactors. I thought this must be a mistake since he was German. Curious, I took a side journey into Handel’s life to find out. Brimming with musical talent, Handel moved to London at age 26 to find work and quickly became a popular composer and performer. He decided to stay, eventually becoming a British citizen. Londoners readily recognized him, for he was a great bear of a man who wore stylish clothes and an enormous wig. He spoke with a thick German accent, and when angry, his words tumbled together in German, Italian, and English. He never married or had children, but he had a big heart and readily assisted the needy and destitute, especially children. It’s been said that no other composer contributed so much to the relief of human suffering. He often helped charities by donating all proceeds from a concert. In 1749 when he learned that the Foundling did not have funds for its proposed chapel, he offered a concert to introduce his newest composition, Messiah. The packed audience was enthralled. A second concert quickly sold out, and the chapel was completed. Handel became a member of the Foundling’s Board of Governors and continued his financial assistance by personally directing Messiah in the chapel at least once a year, always to overflow crowds. When the king attended a performance, he stood for the “Hallelujah Chorus”--and audiences have been standing ever since. Because Handel knew people would pay to see it, he willed the Foundling an original copy of Messiah. I listen to Handel’s compositions differently now. It’s no longer mere music from the past; instead, it feels alive, created by a fascinating man with a charitable heart who helped provide for orphans. I attend Messiah whenever I can, and when we all stand for the “Hallelujah Chorus,” I smile to myself, feeling a strong connection to history, for I know exactly why we are doing it. ![]() As much as Andrea Warren loves writing, she also loves research. Getting distracted can pay off, because she's now writing a book on a subject she discovered while researching another book. To learn more about Handel and how he not only helped the poor but also inspired Charles Dickens, take a look at Warren's book "Charles Dickens and the Street Children of London." You'll learn more about it and about her other books at www.AndreaWarren.com . Andrea is also a member of Authors on Call. Bring her into your classroom via interactive video conferencing. Here’s where you can learn more about her and her programs. ![]() In the late 1800's when homesteaders first located their new claims in the Midwest, some saw nothing in any direction but tall prairie grass. On 160 acres of windswept land, there might not be a single tree. But these settlers were resourceful. They set to work building homes and barns from the one thing they had in abundance: the sod beneath their feet. Because the soil had never been tilled, roots were tightly packed, and sod could be cut from the earth in three-foot- thick blocks. The sod houses that settlers built stood up well to harsh Midwest weather. Sod was a natural insulator, keeping out cold in winter, and heat in summer, while wood houses, which usually had no insulation, were just the opposite: always too hot or too cold. Another advantage of a soddy was that it offered protection from fire, wind, and tornadoes. But a soddy also had drawbacks. Dirt constantly sifted down from the ceiling, making it almost impossible to keep clean. Rain or melting snow caused water to work its way through the roof and walls and run in trails along the floor, turning it to mud. Settlers actually used umbrellas or wore jackets—not to mention boots--to keep dry. Heavy rains and snow put the roof at risk of collapsing under the extra weight. If the soddy was built into a hillside and the family cow decided to graze on the roof, the cow could come crashing through the ceiling, especially if it had rained or snowed recently. The worst drawback was insects and critters. Blocks of sod were home to fleas, ticks, mice, worms, and even snakes. One settler reported a snake dropping down from the rafters right onto the table at dinnertime. And a young mother never got over finding a snake curled up with her baby. Before getting up in the morning, folks learned to look under the bed first--because you just never knew. In spite of this, lots of settlers loved their soddies and stuck with them even after they could afford to have wood shipped in to build what most people considered to be a proper house. They added on rooms, plastered all the walls, and installed wood floors and ceilings to keep the critters out. With that done, living in a soddy suited them just fine. And when the soddy needed repairs, they merely stepped outside, looked down—and there was their building material. ![]() You can learn more about what it was like to live in a sod house in Andrea Warren's nonfiction book for young readers,Pioneer Girl: A True Story of Growing Up on the Prairie. Andrea Warren is a member of iNK's Authors on Call and is available for classroom programs through Field Trip Zoom, a terrific technology that requires only a computer, wifi, and a webcam. Click here to find out more. MLA 8 Citation
Warren, Andrea. "Snakes on the Dinner Table! Life in a Sod House." Nonfiction Minute, iNK Think Tank, 9 Mar. 2018, www.nonfictionminute.org/ the-nonfiction-minute/Snakes-on-the-Dinner-Table-Life-in-a-Sod-House. Norman Mineta was ten when Japan bombed Pearl Harbor. He was a carefree fourth grader in San Jose, California, who loved baseball, hot dogs, and Cub Scouts. But after the attack, school friends turned on him, calling him the enemy and yelling at him, “Dirty Jap! You bombed Pearl Harbor!” “I looked like the enemy, so they assumed I was,” said Norm, whose parents had immigrated from Japan. “I burned with shame.” The FBI arrested Japanese American leaders, imposed a curfew, and restricted travel. People’s businesses were padlocked and their homes searched. “When we learned about the internment camps, it was very frightening,” Norm said. He and his parents, his older brother, and two of his three older sisters were taken by train to a camp near Heart Mountain, Wyoming, Heart Mountain housed 10,000 internees who lived behind barbed wire in 500 barracks. Their rooms had a single light bulb. No privacy, no closet, no running water. The Mineta family endured these hardships with grace and dignity. Norm found solace in playing baseball and doing well in school. Late in 1944 the family was sent by the government to Chicago so Norm’s father could teach Japanese to American army officers. They lived in a regular house, but were not free to go home. That finally happened when the war ended in 1945. They had been gone three long years. Gradually they resumed their former lives. After high school and college, Norm served in the army. He married, fathered two sons, and joined the family insurance business. Then he was elected mayor of San Jose and later served twenty years in the House of Representatives. While in congress, he and other congressional members sponsored a bill requiring the government to give financial restitution to each living internee. More important, each would receive a letter of apology from the President of the United States. After long and arduous work, the bill passed, becoming the Civil Liberties Act of 1988. Japanese Americans had been exonerated. Only then could healing begin for one of the most egregious civil rights violations in American history. Norm went on the serve in the cabinets of two presidents. Today this distinguished statesman works actively to tell the story of the interment and to ensure the civil rights of all Americans. |
NEW!
For Vicki Cobb's BLOG (nonfiction book reviews, info on education, more), click here: Vicki's Blog *NEWSFLASH *
The NCSS-CBC Notable Social Studies Committee is pleased to inform you that 30 People Who Changed the World has been selected for Notable Social Studies Trade Books for Young People 2018, a cooperative project of the National Council for the Social Studies (NCSS) & the Children’s Book Council Categories
All
Archives
February 2021
|