Category: European-history

Vincent Van Gogh and the Case of the Missing Ear

3/10/2023

Jan Greenberg
celebrates the arts
(with Sandra Jordan)

Self-portrait with Bandaged Ear, 1889, with an easel and a Japanese print in the background. The artist collected these prints when he lived in Paris

Who was Vincent Van Gogh? Ask around and most people come up with the same answer. He was the famous artist who cut off his ear. What is the truth about Vincent Van Gogh? Was he a great painter because he led a life of extremes? Or was he a great painter despite his disordered life?

Several years before his death, he began to experience seizures and blackouts during which he heard voices and behaved strangely. Are the pulsating spirals, undulating lines and dizzying stars of his late paintings what he saw when he was having an attack? Or are they the result of a style he developed painstakingly through years of hard work?

In 1888, Vincent moved to Arles in the south of France. He planned to establish an artists’ commune where his friends could live together to create a new direction in painting. Vincent persuaded the artist Paul Gauguin, who was desperate for money, to move to Arles to help him. Vincent also was lonely.

For two months Gauguin lived in the Yellow House Vincent had lovingly filled with paintings hoping to impress his friend. Gauguin bossed Vincent around and criticized his artwork. Eventually, when Gauguin sold a few paintings, he threatened to abandon Vincent.

Finally, on Christmas Eve, after a quarrel at dinner, Gauguin stalked off into the streets. Vincent followed him. What happened next is unclear, but Vincent returned to the Yellow House alone and cut off his earlobe (not the whole ear) with a razor. Vincent couldn’t remember the details of this terrible night. But when he was discharged from the hospital a few weeks later, he went right back to work.

There have been many theories about Vincent’s condition. The theory most generally accepted is that he suffered from epilepsy, a disease that could have caused his seizures and hallucinations and for which there was no medication. In Vincent’s case, another reason for his “attacks” might have been his habit of drinking absinthe, an alcoholic drink popular in 19th century France. It contains a strong nerve poison, now illegal in most countries.

Today many popular performers advertise how dangerous and extreme their lives are by writing shocking lyrics and acted outrageously on stage. They are mimicking the lives of artists such as Van Gogh. But he was not advertising or pretending. He just wanted to be useful—to make art that would last. His glorious paintings are the result of his discipline and dedication, despite the turmoil of his life.

Vincent Van Gogh, The Yellow House, 1888, oil on canvas, Van Gogh Museum, Amsterdam. This is the house at 2 Place Lamartine, Arles, France, where, on May 1, 1888, Vincent van Gogh rented four rooms and where Paul Gauguin lived for nine weeks from late October, 1888. The left wing housed a grocery (French: Comestibles, inscribed on the signboard over the marque). Van Gogh indicated that the restaurant, where he used to have his meals, was in the building painted pink close to the left edge of the painting.

If you are interested in finding out more about Vincent Van Gogh, Jan Greenberg and Sandra Jordan have written an award-winning book on the subject. Click here for more information.

MLA 8 Citation
Greenberg, Jan. "Vincent Van Gogh and the Case of the Missing Ear." Nonfiction Minute, iNK Think Tank, 20 Oct. 2017, www.nonfictionminute.org/the-nonfiction-minute/vincent-van-gogh-and-the-case-of-the-missing-ear.

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Let's Blow Up the King!

2/27/2023

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Jim Whiting
Nonfiction is the new black

Guy Fawkes

During much of the sixteenth century, England was wracked by violence between Catholics and Protestants. Hundreds of Protestants were executed during the reign of Queen Mary (1553–1558), earning her the nickname of “Bloody Mary.” Her Protestant successor, Queen Elizabeth (1558–1603) returned the favor by persecuting and killing Catholics. She was followed by James I, whose Catholic mother had been executed. James’s wife had recently converted to Catholicism.

English Catholics therefore hoped he would be more tolerant than Elizabeth. While the number of executions dropped off, James ordered Catholic priests to leave England and said that Protestantism was the one true faith. Despairing Catholics decided on a desperate measure. They would assassinate James and install his nine-old-daughter Elizabeth as a Catholic monarch.

The plotters secreted three dozen barrels of gunpowder in the basement beneath the House of Lords a few days before the opening of Parliament on November 5, 1605. Guy Fawkes, one of the plotters, planned to ignite a fuse when King James entered the chamber and then scurry to safety. With most members of Parliament and other high officials dead in the explosion, the resulting chaos would make it easier for the schemers to seize control of the government.

However, some of the conspirators realized that this plan would kill a lot of innocent people, including Catholics. So in late October, one of them sent an anonymous warning letter to a Catholic Member of Parliament. He passed along the message to the king’s guardians. Shortly after midnight on November 5, a search party discovered Fawkes and the concealed gunpowder. He was tortured for several days to reveal the names of the other conspirators and then executed. His body was hacked into several pieces. The grisly chunks were displayed in several parts of England as a warning to would-be traitors.

In celebration of the king’s salvation, many people lit bonfires on the night of the discovery. That began a tradition that continues to this day in what is known as Bonfire Night. Tonight in nations of the British Empire, revelers, many wearing Guy Fawkes apparel, are shooting off fireworks and building huge bonfires to burn effigies of the man regarded as England’s most notorious traitor.

Happy Guy Fawkes Day!

Guy Fawkes is Amazon.com's best selling mask. It's popularity stems from the graphic novel and film "V for Vendetta," which centers on a vigilante's efforts to destroy an authoritarian government

A 1606 etching by Claes (Nicolaes) Jansz Visscher, depicting Fawkes's execution

George Cruikshank's illustration , published in William Harrison Ainsworth's 1840 novel GuyFawkes.

Protesters around the world use Guy Fawkes masks to express their unhappiness with the establishment as well as to protect their identity.

Jim Whiting has written more than a hundred books on many subjects. His is a very interesting person. Check out his website on Amazon.

MLA 8 Citation
Whiting, Jim. "Let's Blow Up the King!" Nonfiction Minute, iNK Think Tank, 6 Nov. 2017, http://www.nonfictionminute.org/the-nonfiction-minute/lets-blow-up-the-king.

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The Painter Was a Slave

2/16/2023

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Sarah Albee
Celebrating the History of Science and the Science behind History

Diego Velázquez, "Portrait of Juan de Pareja," 1650,Oil on canvas, 81.3 x 69.9 cm, Metropolitan Museum of Art, New York, New York, USA

Diego Velazquez (1599 – 1660) was a famous Spanish painter. He had a slave named Juan de Pareja (1606 – 1670). Call him an indentured servant if you want, but it’s more accurate to say he was Velazquez's slave, as he was not at liberty to leave. For years, Pareja prepared brushes, ground pigments, and stretched canvasses for the artist. While he was at it, Pareja observed his master carefully, and secretly taught himself how to use the materials, and how to paint.

Pareja was referred to as a Morisco in Spanish. One way to translate the word is that he had mixed parentage (the offspring of a European Spaniard and a person of African descent). Another way to translate the word is that he was a Moor—someone descended from Muslims who had remained in Spain after its conquest by Ferdinand and Isabella.

In 1650, Velazquez was preparing to paint a portrait of Pope Innocent X. As practice, he painted Pareja, who had accompanied the artist to Italy. Here is the portrait.

It's a pretty amazing picture, isn't it?

Velazquez got all sorts of praise for it from the artists in Rome—he was even elected into the Academy of St. Luke.

According to some sources, Velazquez would not allow Pareja to pick up a paintbrush. But one day, when King Philip IV was due to visit Velazquez, Pareja placed one of his own paintings where the king would see it. When the king admired it, believing it to be by Velazquez, Pareja threw himself at the king’s feet and begged for the King to intercede for him. Whether or not that story is true, Pareja did become an accomplished painter, and impressed the king so much that he ordered Pareja freed.

Pareja remained with the Velazquez family until his death.

It was hard to find examples of his paintings, but here are two that are attributed to him.

Juan de Pareja, "Judith," c.1630-70, Oil on canvas, 203 x 132 cm, Museo Nacional de Bellas Artes, Havana, Cuba

Juan de Pareja, "The Calling of Saint Matthew" 1661, oil on canvas, 225 x 325 cm, Museo del Prado. The figure on the far left certainly looks like a self-portrait, doesn't it?

Sarah Albee's latest book is Poison: Deadly Deeds, Perilous Professions and Murderous Medicines. You can read a review that gives you a dose of what's in this book.

MLA 8 Citation
Albee, Sarah. "The Painter Was a Slave." Nonfiction Minute, iNK Think Tank, 25 Oct. 2017, www.nonfictionminute.org/the-nonfiction-minute/the-painter-was-a-slave.

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Row, Row, Row Your Boats

2/14/2023

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Sarah Albee
Celebrating the History of Science
and the Science behind History

A common punishment for those accused of a crime in seventeenth century Europe was to be sent to the galleys. That meant spending the rest of your life at an oar in the dark, stinking hold of a ship.

Wind and oars were the only known propellant of the age. Paid employment at the oar had been tried and dismissed. The only reliable way to produce the necessary speed and endurance to chase down (or escape from) enemy ships or Barbary pirates was to use the whip on your oarsmen, something that didn’t go over well with paid employees. But as condemned criminals were plentiful in that era, it wasn’t difficult to find oarsmen.

When in 1685 Louis XIV revoked the Edict of Nantes—a law passed by his grandfather Henry IV that had ensured the freedom of Protestant worship in France—many French Protestants (known as Huguenots) who tried to flee the country were sent to the galleys.

What was life like as a galley slave? We know something about it from letters and memoirs of Huguenot convicts.

After a long and often grueling march to the ports, the convicts would be sorted into groups of five—these would become the people with whom one would eat, sleep, and work, often until one died of old age or overwork or both. Each group of five men manned an eighteen-foot oar–and there might be fifty oars on a ship. The convicts remained chained to their places. With each stroke, they had to rise together and push the oar forward, and then dip it in the water and pull backward, dropping into a sitting position. During battle, rowers might be required to maintain full speed for twenty-four hours straight, and be fed biscuits soaked in wine without pausing in their exertions. Those who died—or lost consciousness—were thrown overboard.

Horrific, yes. But there were at least some brief respites from the wretched existence, periods of time when the wind’s sails propelled the ship and the rowers could rest. And when the ship overwintered in port, the life of a gallérien became almost tolerable. They had room to lie down and sleep. Many gallériens learned to knit, and others were already skilled wig makers, tailors, and musicians—and were allowed to employ their trades in rotating weeks ashore.

The Museu Maritim in Barcelona has created a scene of galley slaves on a rowing bench. It shows how large each of the oars were. Wikimedia Commons

A galley slave from 1783 By Christian Wilhelm Kindleben. via Wikimedia

A naval battle with galley slaves, 1720 By Ferdinand Victor Perrot (1808–1841), via Wikimedia Commons

In his memoirs, a Huguenot named Jean Marteilhe wrote about his capture in 1701 as a boy of 17, and his experiences as a galley slave having been chained together with other deserters, thieves, smugglers, Turks and Calvinists for 6 years from 1707 to 1713. His account is entitled Memoirs of a Galley Slave of the Sun King.

Sara Albee's book Why'd They Wear That? is published by National Geographic. Get ready to chuckle your way through centuries of fashion dos and don'ts! In this humorous and approachable narrative, you will learn about outrageous, politically-perilous, funky, disgusting, regrettable, and life-threatening creations people have worn throughout the course of human history, all the way up to the present day. For more information, click here.

MLA 8 Citation
Albee, Sarah. "Row, Row, Row Your Boats." Nonfiction Minute, iNK Think Tank, 22
Mar. 2018, www.nonfictionminute.org/the-nonfiction-minute/
Row-Row-Row-Your-Boats.

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Dracula: Even Scarier Than You Think

10/25/2022

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Jan Adkins
The Explainer General

The real Dracula didn’t drink blood or sleep in a coffin. He was not a count but an honorable, well-educated warlord. And much, much scarier than the movie Dracula.

As a Knight of the Dragon Society his father, Vlad II, was called Dracul (“dragon”) . When Vlad III was born in 1431, he was called “little dragon,” Dracula. He was always loyal to his family, friends and to his people, but he was betrayed over and over, beginning with his father. Dracul gave Vlad and his brother Radu to the Turks as hostages—then attacked the Turks!

Wallachia (now part of Romania) was harried in the south by Turkish Moslems. In the north, Hungarian warlords schemed to take over. When the Turks killed his father, Dracula escaped to defend his country and his people.

His methods were rough. He punished offenses large and small by impaling. A long sharpened stake was pushed into the offender’s bottom, then raised upright. Death might come in an hour or in two days. He raised a forest of stakes with impaled offenders in a valley near his capital, Tirgoviste.

Messengers came from the Turks to demand tribute money. Dracula asked why they didn’t take off their turbans as a sign of respect. They said they never took off their turbans. Dracula made certain they didn’t. He had the turbans nailed onto the messengers’ skulls.

An enormous Turkish army attacked from the south. Dracula retreated wisely, seizing and impaling hundreds of the invaders’ stragglers. He made a fierce night attack on the sultan’s camp, killing thousands of Turks before he was beaten back. But when the Turks approached Tirgoviste they rode through a valley lined with 20,000 impaled corpses. The most recent victims were Turkish soldiers. The Turks were so scared that they turned back to home.

Dracula ruled for only seven years. His brother, Radu the Handsome had converted to Islam and swept into Wallachia with the Turks. Another betrayal. Dracula was defeated.

Was Dracula a fiend or a warrior sternly protecting his people from the invading Turks? We just don’t know. We can’t believe the grisly tales his enemies told about him. Best historical guess: Wallachians both loved and feared him. You can see that in an historic tale. Vlad Dracula placed a fabulous goblet at a fountain in Tirgoviste. Any citizen could drink from the golden vessel. It was never stolen. They were too afraid.

Count Dracula is the title character and primary antagonist of Bram Stoker's 1897 Gothic horror novel Dracula. Here is Dracula as portrayed by Béla Lugosi in the 1931 movie “Count Dracula.”

Statue of Béla Lugosi as Count Dracula, at the Hollywood Wax Museum.

Jan Adkin's DK Biography: Thomas Edison tells the story of the famous inventor, from his childhood as an "addled" student, to his reign as the "Wizard of Menlo Park," where he developed the electric light bulb, the phonograph, and many other inventions still in use today. For more information on the book, click here.

MLA 8 Citation
Adkins, Jan. "Dracula: Scarier than You Think." Nonfiction Minute, iNK Think Tank, 31 Oct. 2017.

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Vincent Van Gogh and the Case of the Missing Ear

Let's Blow Up the King!

The Painter Was a Slave

Row, Row, Row Your Boats

Dracula: Even Scarier Than You Think

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Vincent Van Gogh and the Case of the Missing Ear

Let's Blow Up the King!

The Painter Was a Slave

Row, Row, Row Your Boat﻿s

Dracula: Even Scarier Than You Think

Categories

Archives

Row, Row, Row Your Boats