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A Man of His Word

3/7/2023

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Jim Whiting
The Running Encyclopedia


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     When he was a young man in his mid-twenties, future Roman leader Julius Caesar was voyaging across the Mediterranean Sea. Pirates swarmed over his ship. They took him to their base on tiny Farmakonisi Island, which lies off the coast of Asia Minor (modern-day Turkey), and held him for ransom.

    When he learned how much the pirates were demanding for his release, Caesar laughed. Do you have any idea who I am, he asked. I belong to one of Rome’s most important families. So you can get more money for me—a lot more—almost three times as much. The astonished pirates were only too happy to oblige him. 

    Keeping a friend and two servants with him on Farmakonisi, Caesar ordered the rest of his traveling party to go to Asia Minor and raise his ransom. While they were doing that, Caesar acted as if he were the ruler of the tiny island, rather than a captive cowering in fright. He ordered the pirates to attend lectures and poetry readings he gave, and prodded those who nodded off as he droned on and on and on. When he wanted to sleep, he ordered the pirates to either speak in whispers or go to another part of the island. He even played games with them. He also told them that when he was released, I promise I will hunt you down and execute you. In the spirit of bonhomie he engendered, the pirates apparently thought he was joking.

    He wasn’t. Though outwardly he was friendly with the pirates, he seethed inwardly at the humiliation of being taken prisoner. After the ransom was paid, Caesar sailed to a nearby port. He raised a fleet of ships and scores of armed men. He returned to Farmakonisi, captured the pirates, and reclaimed the ransom money. He threw his former captors into prison. They didn’t stay there long. Caesar crucified them. He did show some mercy. Since crucifixion was a long, lingering death, he cut their throats so they died instantly.
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Marble bust of Julius Caesar--Wikimedia Commons

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Jim Whiting has written on many subjects.  Check out his page​ on Amazon.com 

MLA 8 Citation
Whiting, Jim. "A Man of His Word." Nonfiction Minute, iNK Think Tank, 26 Mar.
     2018, www.nonfictionminute.org/the-nonfiction-minute/A-Man-of-his-Word.

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Kidnapped!

3/3/2023

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Cheryl Harness
She’s historical!

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     This story happened in 1778, a time of terrible war. As General George Washington’s troops shivered in their winter camp in Pennsylvania, at Valley Forge, Daniel Boone was hunting out west, in the future state of Kentucky. Nearby, in the forest, his friends were boiling down mineral-rich spring water to make salt for their families in Boonesborough. It was a community of cabins in and around a log stockade, to protect the pioneers from attackers.
 
     Of whom were they afraid? The First Nations, who’d been living in the so-called New World for countless generations. Specifically, Daniel Boone’s people feared the Shawnee and Cherokee peoples—and vice versa. The Native Americans were fighting an endless supply of white settlers determined to take their ancestral lands. All through and after the Revolutionary War years, American, British, and Native warriors fought throughout the wilderness west of the Appalachian Mountains and east of the Mississippi River. 

     We know Daniel Boone as a frontier explorer and trailblazer. To the Natives, he was “Wide Mouth,” a leader of the invasion that threatened to end their ways of life forever. So it was a BIG deal when, on a winter day in 1778, Shawnee Chief Blackfish and his warriors captured him! Daniel used all of his wits to work out a trade: In return for making him and his salt-making friends their prisoners, the Shawnee would put off attacking Boonesborough. 

     For ten days, the captives were marched through the snowy woods to Chillicothe, the big Shawnee town in Ohio. The British paid bounties for colonial prisoners, so some of Daniel’s friends were sold. They and others were lost to history, but we know that Daniel had to prove his courage in the gauntlet, dashing between rows of Shawnee warriors, getting hit by clubs. 

     Now, he’d known Natives and studied their ways since he was a boy. To stay safe until he could get back to his family, he knew he needed to let Chief Blackfish do as he wished: adopt him into his tribe. Daniel got scrubbed. He got all of his hair plucked out except for a “scalp lock” atop his head. He got a new name too: Sheltowee or “Big Turtle.” But it was June before he got the chance to escape. Then Daniel ran, hid, hiked, and limped 160 miles home to Boonesborough, in time to prepare for the attack of the angry Shawnee. 

     But that’s another story for another day.
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The adventurous life of Daniel Boone began in Pennsylvania, November 2, 1734. It ended away out west in Missouri, September 26, 1820.
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Fort Boonesborough
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George Caleb Bingham painted this image of Daniel Boone leading pioneers into the frontier

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​Once again, Cheryl Harness combines lively storytelling with vividly detailed illustrations to transport readers back to an exciting era in American history. During Daniel Boone's 86-year life, Colonial America is transformed into a revolutionary republic, trails morph into roads and highways, and Americans discover new ways to travel—by canal, and by steam-powered boats and trains. Readers journey through these formative milestones in America's great westward expansion with the aid of a time line running along each page, 200-plus illustrations, maps, sidebars, primary-source quotations, and resource lists. For information on The Trailblazing Life of Daniel Boone:  How Early Americans Took to the Road, click here.

​MLA 8 Citation
Harness, Cheryl. "Kidnapped!" Nonfiction Minute, iNK Think Tank, 4 June 2018,
     www.nonfictionminute.org/the-nonfiction-minute/kidnapped.

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Police Reports from the Sixteenth Century?

2/17/2023

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​
Marissa Moss
Illuminating Hidden Histories    

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     ​Yes, they exist!

     At the height of the Roman inquisition in the late sixteenth, early seventeenth centuries, Michelangelo Merisi da Caravaggio ignored the rigid rules that guided what could be painted. Rather than follow the current style based on idealized human beings in ennobling religious stories, he used real people as models. More than that, he invented a genre based on daily life rather than on religious or historical stories. He taught people to see the holy in the everyday and the everyday in the holy. This alone was a tremendous act of rebellion and could have led to imprisonment, even death.

     Caravaggio did go to prison, many times, but not for the crime of pictorial heresy. His first arrest was for carrying a sword without a permit— yes, you needed a sword license then, much as you need a gun permit today. His second arrest happened when an officer stopped him for carrying a weapon. Though Caravaggio had the permit, he refused to show it. The third time he was spotted carrying his sword, he showed the permit. The officer thanked him, but Caravaggio couldn't resist cursing out the policeman, so he was arrested for insulting an officer.

     But the best arrest was for assault with a vegetable. This is the official deposition, taken 18 November 1599:

It was around five in the afternoon and the aforesaid Caravaggio, along with some others, was eating in the Moor of the Magdalene where I work as a waiter. I brought him eight cooked artichokes, that is four in butter and four in oil and he asked me which were cooked in oil and which in butter. I told him that he could smell them and easily know which were cooked in butter and which were cooked in oil, and he got up in a fury and without saying a word, he took the plate from me and threw it in my face where it hit my cheek. You can still see the wound. And then he reached for his sword and he would have hit me with it, but I ran away and came right to this office to present my complaint.

     Caravaggio went on to be arrested many more times for more serious assaults, including murder. Now, though, he's not remembered as a criminal, but rather as an artistic genius who inspired generations of followers.
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A chalk portrait of the Italian painter Michelangelo Merisi da Caravaggio.  Wikimedia
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​Judith Beheading Holofernes (1599–1602)  is the first of several paintings in which Caravaggio chose to depict the dramatic and gory subject of decapitation. Wikimedia
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Basket of Fruit, c. 1595–1596, oil on canvas. Caravaggio's realistic view of things is exemplified in this still life.  The bowl is teetering on the edge of the table, some of the leaves are withered, and the apple in the front is far from perfect. Wikimedia 
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​Marissa Moss's book Caravaggio:Painter on the Run tells a compelling story that humanizes Caravaggio while describing the political and social atmosphere in which he lived.

Moss, Marissa. "Police Reports from the Sixteenth Century?" Nonfiction Minute,  iNK Think Tank, 24 01 2018, http://www.nonfictionminute.org/the-nonfiction-minute/police-reports-from-the-sixteenth-century6158812.
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Nellie Bly

2/16/2023

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Nancy Castaldo
Science Sleuth

     We may think nothing of travelling to the other side of the world, but things were much different two centuries ago. Only adventurers and explorers ventured to faraway places. 

    That changed when three important breakthroughs occurred. In 1869 the First Transcontinental Railroad was completed in America. It enabled people and goods to travel easily. In 1870, the Indian railways were linked, increasing trade and travel opportunities. And the Suez Canal opened in 1869 allowing ships to sail from the Red Sea to the Mediterranean Sea. 

​     These three leaps forward made it possible for someone to travel around the world. The idea was exciting. 

        Jules Verne was one of the many people imagining such a trip. He wrote a bestseller in 1873 about a man who bet his friends that he could travel around the world in eighty days. 

       “I will bet twenty thousand pounds against anyone who wishes that I will make the tour of the world in eighty days or less,” says Phileas Fogg at the beginning of Jules Verne’s adventure novel Around the World in Eighty Days. 

        In those days, making the trip in eighty days or less was almost impossible. The only way people traveled during that time was by ship, train or carriage. And there were always delays. 

        Stunt reporter, Nellie Bly, also wondered if it could be done. Although women faced the challenges of not readily being able to travel alone, they also felt the lure of adventure. 

       Nellie pitched the idea to her editor and a year later, he consented to send her. She would not only beat Phileas Fogg’s record, but she would prove that a woman could do it. 

      Nellie began her trip in November 1889 on a ship sailing for England. She carried with her only one bag and one dress-- and no chaperone. 

      Soon all of America was rooting for her.  Along the way delays made it seem like it wouldn’t happen. Storms rocked her ship. Weather slowed her down. Could Nellie do it? She was courageous and full of adventure. If anyone could it would be her. 

       She returned to New York on January 25, 1890, in a record 72 days, beating Phileas Fogg. Her journey rivaled the fictitious one Jules Verne had imagined. Nellie Bly had written herself into the history books!
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It was a common practice for female journalists to use pen names. Nellie Bly was a pen name for Elizabeth Jan Cochran and was based on the heroine of Stephen Foster's popular song "Nellie Bly."
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A publicity photograph taken by the New York World newspaper to promote Bly's around-the-world voyage. If you could only take one outfit on such a voyage, would this one have been your choice?
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A woodcut image of Nellie Bly's homecoming reception in Jersey City printed on 8 February 1890. "Nellie Bly Reception 1890" by Frank Leslie's Illustrated Newspaper, from sketches by C. Bunnell. United States Library of Congress.

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Be a Biography Detective

2/2/2023

1 Comment

 
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Marlene Targ Brill
Nonfiction Detective

 
 You need to write a biography, a story of someone’s life. What do you do to discover the person’s silly quirks or darkest secrets?  Probably you go online. That’s a good start, but that’s all it is—a start. Real authors—and students completing assignments—dig deeper. Only by checking a variety of resources can you find the juiciest facts to make your biographies come alive.

            For example, when I write about someone, I start by reading an overview of their life. I might check a general resource, such as Wikipedia, But not all information is accurate in this or other websites, so I play detective to locate resources that confirm what I’m reading. One way to find good resources is to look at the bottom of the Wikipedia article and see which articles and books that author used as resources. If these sources seem credible to you, click to find the original articles the author used.

            Another source of information is your librarian. Librarians love to delve into the craziest topics. Need to locate a long-lost relative of your biography subject or trail where that person lived over the years, ask your librarian. Librarians locate books, specialized online resources, and newspapers and magazines that can help you.

            When I researched Dolores Huerta Stands Strong: The Woman Who Demanded Justice, I wanted more personal resources. So I looked for people to interview who knew her at different times of her life. I called up volunteers who marched with Dolores to protest unfair treatment of farm workers. I found others who helped the public learn not to eat table grapes until farm owners agreed to pay farm workers fair wages and provide clean housing, breaks in the fields, and places to go to the bathroom. When I wanted to learn how Dolores Huerta worked to improve lives of women, I contacted Gloria Steinem, a leader of the 1970s women’s movement. I talked with Huerta’s children.

            I prepared before each interview. I learned about connections between the interviewees and my biography subject. I wrote questions ahead of time, so I wasn’t wasting interviewee time. At the end of each interview, I asked: “Is there something else you remember?’ That’s when I got some of the best stories.
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            Between interviews, books, magazine and newspaper articles, I found enough material to tell Huerta’s life. You can with your biography, too.
            

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Once you've researched and written your biography, you will probably want to add a picture of your subject.  You've probably seen many pictures during your research, but you must be careful about permission to use photographs or drawings.  You can find some good guidelines at How to Find Free Images With Google's Advanced Image Search.

This photo of Delores Huerta is from her Wikipedia article. Most photos from Wikipedia may be used for non business purposes.  By clicking on a picture, you are taken to Wikimedia, the place where photos reside.  You will be able to download a photo and decide how you want to caption it.
Here's what it says about this photo in Wikimedia:

Description English: Dolores speaking at an event in Phoenix, Arizona.
Date: 20 March 2016
                                                                             Author: Gage Skidmore                 
This information will allow you to tell your reader about the photo in the form of a caption and also credit your source:

Delores Huerta speaking at an event in Phoenix Arizona on March 20, 1916.  Photo by Gage Skidmore via Wikimedia





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Marlene Targ Brill's Dolores Huerta Stands Strong follows Huerta’s life from the mining communities of the Southwest where her father toiled, to the vineyards and fields of California, and across the country to the present day. As she worked for fair treatment for others, Dolores earned the nation’s highest honors. More important, she found her voice.

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