Nonfiction is the new black
Billy Mills was just a face in the crowd of nearly 30 runners at the 10,000-meter run at the 1964 Olympic Games in Tokyo, Japan. His best time was nearly a minute slower than the race favorites.
Part-Lakota Sioux Indian, Mills was a scrawny kid, who had grown up in poverty and racial bias. Whites regarded him as an Indian. Indians sneered that he was part-white and therefore not one of them.
His father had encouraged the boy to envision a better life: “You have to look deeper, way below the anger, the hurt, the hate, the jealousy, the self-pity, way down deeper where the dreams lie, son. Find your dream.”
Mills began finding his dream when he discovered his talent for running. He earned an athletic scholarship to the University of Kansas. Then he qualified for the U.S. Olympic team.
Still, no one expected anything of him. He asked for shoes from the company that outfitted American runners. Sorry, he was told. We only give shoes to potential medalists. You don’t qualify.
Mills kept a diary. Six weeks before the 10,000 meter race, he wrote “I’m in great shape….I’m ready for a 28:25 [twenty-eight minutes, twenty-five seconds].” He had never run that fast. Nor had any American. Nor anyone in any previous Olympics.
The gun sounded. As each of the 25 laps rolled by, more and more runners fell off the pace. At the start of the final lap, Mills was one of three runners still in contention. As they rounded the first turn, Australian Ron Clarke shoved Mills out into the third lane. Mohamed Gammoudi of Tunisia took advantage of the opening and pushed his way between the other two, knocking Mills off balance for a moment. As the runners headed down the final straight, television cameras showed a tight battle between Gammoudi and Clarke. Mills was nowhere to be seen.
Suddenly the television announcer screamed “Look at Mills! Look at Mills!” Mills bounded back into the picture, passing Clarke and then Gammoudi almost as if they were standing still. He maintained his pace to the finish line, five yards ahead of Gammoudi and ten in front of Clarke. His time of 28 minutes, 24.4 seconds was virtually identical to what he had visualized. He remains the only American to win the 10,000 meters at the Olympics.
Mills crossing the finish line in the 1964 Olympics.
Watch Mills run the final lap
Jim Whiting is a walking encyclopedia. He has written more than 180 (count 'em!) books on many subjects. You can learn more about him here.
MLA 8 Citation
Whiting, Jim. "No Shoes for You." Nonfiction Minute, iNK Think Tank, 21 Sept. 2017, www.nonfictionminute.org/the-nonfiction-minute/no-shoes-for-you.
You’ve probably heard about Charles Lindbergh, the first pilot to fly across the Atlantic. But did you ever hear about Cal Rodgers?
Only eight years after the Wright brothers flew the first heavier-than-air machine, newspaper tycoon William Hearst offered a $50,000 prize to the first to fly across the continent in less than 30 days.
Although Cal Rodgers had just learned to fly, he was ready. “He’ll need every atom of courage..,” Wilbur Wright had said of any man who attempted to win the prize.
The nation had not a single airport, and there were no navigation aids or repair places. . To help him, a train carrying a second plane, spare parts, a crew of mechanics, Cal’s wife Mabel, his mother, and reporters was rented by a company producing a grape drink named Vin Fiz. In exchange, Cal named his airplane after it, and would scatter Vin Fiz promotional leaflets from the sky— the first aerial ad campaign.
On September 17, 1911, Cal took off from Brooklyn, made a sweep over Manhattan and headed for New Jersey, where the train, and an enormous crowd, was waiting.
The next morning, right after takeoff he tried to avoid some power lines, hit a tree, and plunged into a chicken coop. Feathers floated as he emerged from a tangle of wires, splintered wood, and torn fabric. Head bleeding, cigar clenched between his teeth, he muttered, “Oh, my beautiful airplane.”
They rebuilt the Vin Fiz, and a few days later he was again airborne. Stopovers were frequent, as were brushes with death. The plane struck telegraph wires; it piled into a barbed-wire fence (demolished again); and landing in Indiana, Cal was attacked by a bull. He became the first pilot to fly in a thunderstorm. But the Vin Fiz buzzed on.
When he reached Chicago, other contenders had dropped out. Cal realized that he wasn’t going to make it to the west coast in 30 days. But he pressed on…
To avoid the Rocky Mountains, he flew south over Texas, then west. By the time he reached California, after a dozen crashes, his plane had been rebuilt so often that little remained of the original.
A month later, after still another crash and in yet another rebuilt plane, he finally reached the Pacific, greeted by 50,000 spectators
Tragically, Cal’s luck ran out. A few months later, he flew into a flock of seagulls, and plunged to his death.
But he did it— he became the first pilot to fly across the American continent.
In eleven intricately drawn mazes, eight vehicles, each carrying a different product, are on their way to the city. Fish, apples, dairy products, corn, vegetables, flowers, eggs, and baked goods all travel through colorful and minutely detailed landscape mazes to reach the city farmer's market. Information on all of the products and their journeys is included, along with answers to all of the mazes. For additional fun, kids are challenged to look for objects hidden on each spread. For more information, on Roxie's Market Maze, click here.
MLA 8 Citation
Munro, Roxie. "A Transcontinental First." Nonfiction Minute, iNK Think Tank, 22
Jan. 2018, www.nonfictionminute.org/the-nonfiction-minute/
Sonora Webster of Georgia adored horses. At age five, she even tried to swap her baby brother for one. Alas, grownups disapproved. At age nineteen, in 1923, Sonora went to the Savannah fair. There she saw a huge, deep pool of water beside a tower as tall as a four-story building. High atop was a lady in a red swimsuit and circle of spotlight. At her signal, a gray horse pounded up the ramps. The lady jumped on. The horse tossed its snowy mane and tail, leaped into space, and down into the pool! Glittering sheets of water SPLASHED the shrieking crowd. After a breathless moment, the horse rocketed UP from the depths, made its way to the arena, and the smiling lady dismounted. How Sonora clapped and cheered— for that beautiful horse!
As it happened, the elderly showman who’d invented this amazing act needed extra ladies for his popular traveling shows. He advertised in the local paper:
“Likes horses?” THIS was the job for Sonora!
As a trainer, “Doc” Carver was tough, but so was Sonora. She learned how to dive with all five of Doc’s horses, all carefully trained and cared-for. (Veterinarians checked often to see that they were.) In time, she made countless dives— and fell for Doc’s son Al. They married. After Doc died, Al took over the act, starring Sonora and the magnificent diving horses.
Sonora met her day of destiny at Atlantic City’s Steel Pier, New Jersey’s great amusement park, July 14, 1931. She hopped astride Red Lips, her favorite horse. “Red” leaped from the tower. And somehow, Sonora hit the water face first, in the instant before she closed her eyes. They stung, but how could she know that the water collision had loosened her eyeballs’ retinas? She didn’t! Soon, despite medical treatments, 27-year-old Sonora saw her vision fading away. Could she accept that her diving days were over? She wouldn’t! She might have lost her sight, but her love and trust for her brave horses? Never! They’d keep flying through the air together, thrilling and splashing audiences for the next eleven years.
Sonora Webster Carver told her story in her 1961 memoir, A Girl and Five Brave Horses, which inspired a 1991 film, Wild Hearts Can’t Be Broken. She died at age 99, in 2003.
Because world-traveling sharpshooter, William Frank Carver had been a dentist, such friends as “Buffalo Bill” Cody called him “Doc.” Wikimedia
Sonora and her brave diving partner. Equine Inc.
An exciting day at Steel Pier, Atlantic City, N.J. NJ com
Cheryl Harness is an illustrator as well an author, as seen by her delightful poster-like illustrations in Women Daredevils by Julia Cummins. The book offers mini biographies of ten fascinating women who risked their lives in the late 1800s and early 1900s to entertain the public.
MLA 8 Citation
Harness, Cheryl. "Splash!" Nonfiction Minute, iNK Think Tank, 17 Jan. 2018,