José Batlló’s house in Barcelona, Spain, was looking a little shabby. So, Batlló turned to Antoni Gaudí, the city’s most inventive architect—and got a house that astonished all Barcelona.
Its walls, studded with glittering blue and green shards, billowed like the sea. Some windows were egg-shaped, others had balconies resembling giant masks. The roof was more fanciful. Eerily iridescent, colors shifted from bluish green to golden orange. With scale-like tiles, it reminded people of a dinosaur’s backbone. Because of the oval windows, people called it the House of Yawns. Others, noticing columns that looked like shinbones, christened it House of Bones.
Born in 1852 into a family of coppersmiths, Gaudí grew up in a small town near Barcelona. As a boy he roamed the countryside making sketches, living in his own world of discovery and fantasy. Becoming an architect was his childhood dream.
He quickly developed a style entirely his own, drawing inspiration from nature rather than anything man-made. He was disdainful of straight lines. “They belong to men,” he used to say. “Curved lines belong to God.”
Near Casa Battló stands another Gaudi creation: Casa Mila, a six-story apartment building which, because of its soft swelling shapes, has been likened to human lips, pastries, and a hornet’s nest. Still, many people love it.
Among Gaudí’s accomplishments is what may be the world’s quirkiest park: Park Güell, a kind of fairy-tale fantasy, with two dancing gazelles flanking the entrance, a giant tile-encrusted lizard, and a roof topped with upturned coffee cups.
Deeply religious, Gaudí spent his last twenty years working on Sagrada Familia, a cathedral unlike any other, with eighteen towers symbolizing the apostles, evangelists, the Virgin Mary, and Christ. It became such an obsession with Gaudí that he set up residence at the worksite. Once something of a dandy, he became increasingly careless with his appearance. This neglect may have contributed to his death.
On a spring evening in 1926, taking one last loving look at a newly completed Sagrada Familia tower, he stepped off the sidewalk and was hit by a streetcar and knocked unconscious. Because of wretched clothing he was taken for a tramp and not immediately brought to a hospital. Gaudí was finally recognized, but was beyond help and died three days later.
Gaudi's Park Güell is one of the most famous sights of Barcelona. welcoming more than 4 million visitors a year.
Art by Roxie Munro.
The tile-encrusted salamander in Park Güell has become a symbol of Gaudí's work. Wikimedia
Check your favorite bookstore for Roxie's latest book coming out on February 6th. Rodent Rascals has already garnered three starred reviews with Roxie's fabulous actual-sized artwork accompanied by fascinating facts about 21 rodents who share our world.
Roxie is a member of Authors on Call where she can visit your classroom and show you her work herself. Read more about here here.
MLA 8 Citation
Munro, Roxie. "The Architect Who Hated Straight Lines." Nonfiction Minute`, iNK
Think Tank, 31 Jan. 2018, www.nonfictionminute.org/the-nonfiction-minute/
Nonfiction is the new black
In the early 1900s, becoming the first to reach the South Pole was a huge source of individual and national pride. English explorer Ernest Shackleton came within 97 miles of that goal in 1909 before being forced to turn back.
Fellow Englishman Robert Scott made well-publicized plans to succeed where Shackleton had failed. He was therefore dismayed to learn that Norwegian Roald Amundsen had his own secret plan to reach the Pole. Amundsen hadn’t even told his crew members where they were going until they were at sea.
The two expeditions landed in Antarctica at roughly the same time and spent months preparing for their respective treks. Amundsen departed on October 18, 1911. He was fortunate to encounter relatively good weather. On December 7, he passed the southernmost point Shackleton had reached. One week later, on December 14, he and his four men stood on the South Pole. Each man grasped the Norwegian flag. They celebrated in the evening with seal meat and cigars. Before returning, they erected a tent and put letters for Scott and Norwegian King Haakon inside. Amundsen and his men arrived back at their starting point in late January and sailed to Tasmania, where Amundsen sent a cable trumpeting his accomplishment. Even though the response was mostly favorable, some people in England thought Amundsen had played a dirty trick by being so secretive about his plans.
Meanwhile, Scott and his four men left from their base three weeks after Amundsen. They encountered some of the worst weather Antarctica could throw at them. Several times they had to stay in their tents for extended periods, eating valuable food. They finally arrived at the Pole on January 17, only to have their triumph replaced with bitter disappointment. They found Amundsen’s letters and knew they were five weeks too late.
Their difficulties worsened on the way back. Two men died from cold, hunger, and exhaustion. Scott and the two others made what proved to be their final camp on March 19, confined to their tent by horrific weather. They were about 10 miles from a food depot that would have ensured their survival, but couldn’t reach it. Searchers found their frozen bodies eight months later.
Amundsen died in 1928 in a plane crash during a rescue mission in the Arctic Ocean. Shortly before his death, he told a journalist, “If only you knew how splendid it is up here, that’s where I want to die.”
Aristotle discovered Antarctica nearly 2,500 years ago, though no one set foot on the continent until the 1800s. Exploration went into high gear several decades later during the Heroic Age. The peak came in 1911 when Norwegian Roald Amundsen reached the Pole, followed soon afterward by the tragic deaths of Englishman Robert Scott and four companions. This is one of many of Jim Whiting's books.
MLA 8 Citation
Whiting, Jim. "To the Ends of the Earth." Nonfiction Minute, iNK Think Tank, 18
Jan. 2018, www.nonfictionminute.org/the-nonfiction-minute/
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