![]() ![]() Baseball fans were fascinated by an article in Sports Illustrated magazine just before the start of the 1985 major league baseball season. It profiled Hayden Siddhartha “Sidd” Finch, a rookie pitcher who was in spring training with the New York Mets. According to the article, he could throw a baseball at a top speed of nearly 170 miles per hour. That was twice as fast as many other pitchers. Photos accompanying the article showed Finch with his excited teammates. Teams that would be playing the Mets contacted the league office. They feared that their batters would be in danger when Finch was on the mound. There was, however, a problem with the article. “Finch” in the photos was actually Joe Berton, an Illinois junior high school art teacher. The article’s subtitle provided a clue about its real purpose: “He’s a pitcher, part yogi and part recluse. Impressively liberated from our opulent life-style, Sidd’s deciding about yoga —and his future in baseball.” The first letters spell “Happy April Fool’s Day—ah Fib.” The issue was dated April 1. The Sidd Finch saga is one of the best-known hoaxes that occur every year on April Fool’s Day. It’s not clear when the custom of playing tricks on this day originated, or even why. The first clear reference seems to come in 1561, in a work by Belgian poet Eduard De Dene. A nobleman orders his servant to run silly errands on April 1. De Dene was almost certainly making a reference to a custom that was already well-established. By the end of the following century, it had spread to England. In 1698, a London newspaper reported that “Yesterday being the first of April, several persons were sent to the Tower Ditch to see the Lions washed.” This was a prank that city dwellers played on bumpkins from rural areas. There were no lions, nor was there any washing. In Scotland, April Fool’s Day actually became two days. The first day was “hunting the gowk” (a gowk was a cuckoo bird, a symbol of fools), sending people on ridiculous errands. Then came Tailie Day, which involved pinning tails or “kick me” signs on people’s butts. It’s not clear when April Fool’s Day came to the United States. But today Americans love “celebrating” it. So if someone tells you a story that seems like a hoax or a joke, check the calendar. If it’s April 1, someone is probably fooling you. ![]() Crack! It's going, going, it's gone! Professional players make it look easy to hit a home run. But without science, they’d be left in the batter’s box. In The Science of Hitting a Home Run, you can take a closer look at the science that makes a home run possible. Check this and Jim's many other titles out at his website. MLA 8 Citation
Whiting, Jim. "April Fool's Day." Nonfiction Minute, iNK Think Tank, 30 Mar. 2018, www.nonfictionminute.org/April-Fools-Day.
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![]() Do you know that the Plains Indians lived in North America for centuries before they got horses? These people were nomads, moving from place to place through the seasons as they sought protection from winter weather and hunted for buffalo, their main source of food. Can you imagine how difficult it was, walking many miles in soft moccasins across the rough prairie ground with only dogs to help carry their possessions? The dogs dragged goods on a travois, a set of wooden poles strapped together. A big, strong dog could manage a load of just seventy-five pounds or less. It took an Indian band a long time to get from one place to another, and the people couldn’t bring very many things along. Then, in the 1500s, Spanish explorers and settlers brought horses with them to North America. Indian slaves in the Southwest took care of the horses on Spanish ranches but were forbidden to ride them. Of course they figured out how useful horses were, and soon the Apache tribe had horses. In 1680, the Indians rebelled against the Spanish, driving them out of New Mexico and forcing them to leave many horses behind. From then on, horses spread northward and by 1750, tribes all the way into Canada had horses. These powerful animals revolutionized Indian culture. With horses, the Indians could ride instead of walk. They could bring along more goods, as a horse could drag a travois load of three hundred pounds. Just five horses could transport everything needed by a family, including enough buffalo hides to make a big, comfortable tepee. Old or sick family members could be carried along on a travois as well. Just as the Indians were embracing the horse, European Americans were moving into Indian lands, forcing some tribes to move westward onto the prairie and adopt the horse culture. Within a generation, Indians became supreme horsemen and used horses to hunt buffalo and to wage warfare. They fought against one another as well as against the U.S. Army, which was trying to clear the way for white settlers to make their homes on the prairie. By the late 1800s, the Plains tribes had been beaten and forced to live on reservations. The Indians still value their horses, competing with them in rodeos and races as well as for recreation and transportation. ![]() Every winter, a group of young Indians show their pride in their cultural traditions by challenging themselves to repeat the frigid 287-mile ride of Lakota Chief Big Foot and his band to Wounded Knee, South Dakota, where they were massacred by the U.S. Army in December, 1890. Indian Teens, Wm. Munoz ![]() Dorothy Hinshaw Patent says about her book, The Horse and the Plains Indians: "This book was truly a labor of love and respect. Within a few years of acquiring horses after the Spanish brought them to America, Indians became among the greatest horsemen in the world and created vibrant new horse-related aspects to their cultures. I wanted to communicate these achievements to young people and to show them that despite all they have suffered at the hands of European American culture, the Indians heart and soul attachment to horses endures." For more information, click here. Dorothy Hinshaw Patent is a member of iNK's Authors on Call and is available for classroom programs through Field Trip Zoom, a terrific technology that requires only a computer, wifi, and a webcam. Click here to find out more. MLA 8 Citation
Patent, Dorothy Hinshaw. "How Horses Revolutionized the Lives of the Plains Indians." Nonfiction Minute, iNK Think Tank, 5 Mar. 2018, www.nonfictionminute.org/the-nonfiction-minute/ How-Horses-Revolutionized-the-Lives-of-the-Plains-Indians. ![]() In the late 1800's when homesteaders first located their new claims in the Midwest, some saw nothing in any direction but tall prairie grass. On 160 acres of windswept land, there might not be a single tree. But these settlers were resourceful. They set to work building homes and barns from the one thing they had in abundance: the sod beneath their feet. Because the soil had never been tilled, roots were tightly packed, and sod could be cut from the earth in three-foot- thick blocks. The sod houses that settlers built stood up well to harsh Midwest weather. Sod was a natural insulator, keeping out cold in winter, and heat in summer, while wood houses, which usually had no insulation, were just the opposite: always too hot or too cold. Another advantage of a soddy was that it offered protection from fire, wind, and tornadoes. But a soddy also had drawbacks. Dirt constantly sifted down from the ceiling, making it almost impossible to keep clean. Rain or melting snow caused water to work its way through the roof and walls and run in trails along the floor, turning it to mud. Settlers actually used umbrellas or wore jackets—not to mention boots--to keep dry. Heavy rains and snow put the roof at risk of collapsing under the extra weight. If the soddy was built into a hillside and the family cow decided to graze on the roof, the cow could come crashing through the ceiling, especially if it had rained or snowed recently. The worst drawback was insects and critters. Blocks of sod were home to fleas, ticks, mice, worms, and even snakes. One settler reported a snake dropping down from the rafters right onto the table at dinnertime. And a young mother never got over finding a snake curled up with her baby. Before getting up in the morning, folks learned to look under the bed first--because you just never knew. In spite of this, lots of settlers loved their soddies and stuck with them even after they could afford to have wood shipped in to build what most people considered to be a proper house. They added on rooms, plastered all the walls, and installed wood floors and ceilings to keep the critters out. With that done, living in a soddy suited them just fine. And when the soddy needed repairs, they merely stepped outside, looked down—and there was their building material. ![]() You can learn more about what it was like to live in a sod house in Andrea Warren's nonfiction book for young readers,Pioneer Girl: A True Story of Growing Up on the Prairie. Andrea Warren is a member of iNK's Authors on Call and is available for classroom programs through Field Trip Zoom, a terrific technology that requires only a computer, wifi, and a webcam. Click here to find out more. MLA 8 Citation
Warren, Andrea. "Snakes on the Dinner Table! Life in a Sod House." Nonfiction Minute, iNK Think Tank, 9 Mar. 2018, www.nonfictionminute.org/ the-nonfiction-minute/Snakes-on-the-Dinner-Table-Life-in-a-Sod-House. The great Paris tower was underway. From each corner of a broad base the size of a football field, four spidery iron structures rose, curving inward in one majestic sweep toward the middle. The construction – a web of connecting girders – called for 300 workers to assemble some 15,000 pieces of iron and snap 2.5 million rivets into place. This would be the world’s tallest man-made structure, reaching a height of 300 meters (934 feet). A glorious demonstration of engineering, it was conceived by Gustave Eiffel, the most illustrious engineer of nineteenth-century France. The tower was to be the focal point of the International Exhibition of Paris in 1889, commemorating the 100th birthday of the French Revolution. After that, since it had no practical use, it was to be torn down. It took two years, two months, and three days to build the Eiffel Tower. Eiffel used wrought iron, which was a relatively new building material at the time, used primarily for bridges and aqueducts. As the tower rose, becoming the city’s most prominent feature, not everyone approved. “Useless and monstrous,” one newspaper called it. Another described it as an “odious column of bolted metal.” Called the Magician of Iron, Eiffel’s mathematical prowess and attention to detail was legendary. To put the tower project on paper took 30 draftsmen working full time for 18 months. Every rivet of the 2.5 million needed for the structure had its designated place, down to a fraction of a millimeter. The Tower became the hit of the International Exhibition, with nearly two million people visiting it. Still, not everyone loved this prodigious web of steel girders. A famous writer was once asked why he ate lunch there every day, since he was known to hate the sight of it. He replied, “Because it’s the only place in Paris where I can’t see the damn thing.” So why wasn’t the Eiffel Tower torn down? It almost was. What saved it was the radio broadcasting center and the weather station that Eiffel installed at the top. Now France’s most famous landmark, it is not the only national symbol that Eiffel was involved with. He also built the iron skeleton of a lady we’re all familiar with: The Statue of Liberty. As for the Eiffel Tower, “I ought to be jealous of that tower,” he once said. “She is more famous than I am.” The Eiffel Tower under construction highlights the intricacy of the design as well as the massive size of the project in relation to the city of Paris. Art by Roxie Munro Eiffel's most famous works are still major tourist attractions in the 21st century. The Eiffel Tower is the most-visited paid monument in the world. An average of 25,000 people ascend the tower every day. Approximately four million people visit New York's Statue of Liberty National Monument and Ellis Island each year. Photo Benh Lieu Song viia Wikimedia Commons. Art by Roxie Munro ![]() One of Roxie's most recent, Masterpiece Mix, is a book about art. As an artist searches for inspiration, she explores thirty-seven paintings of different genres, and comes up with a grand finale, using all of them. The book has "smart, concise, marvelously amplifying backmatter" (Kirkus), a dedicated web page, and free downloads. MLA 8 Citation
Munro, Roxie. "The Magician of Iron." Nonfiction Minute, iNK Think Tank, 7 Mar. 2018, www.nonfictionminute.org/the-nonfiction-minute/The-Magician-of-Iron. In the foreword to A Negro League Scrapbook, Buck O’Neil, former player/manager for the Kansas City Monarchs and the first black major league coach, says “Segregation was the only reason the Negro Leagues existed. Negro League baseball was outstanding.” The players—most of whom never donned major league uniforms—were equal to, and sometimes better than, their white counterparts. Negro League and Major League players faced off in numerous exhibition games. Negro League teams usually won those contests, O’Neil explains, because the African-American players had something to prove. From 1919 to 1963, Negro League teams crisscrossed the country, thrilling fans with crafty pitches, frequent bunts, hit-and-run plays, and stolen bases—all without big salaries or a level playing field.
Jackie Robinson, who began his career with the all-black Kansas City Monarchs, took the Negro League’s fast-paced brand of play with him to the Brooklyn Dodgers, stealing home during the 1955 World Series. Robinson broke Major League Baseball’s color barrier in 1947—a milestone that O’Neil considers the first pitch of the Civil Rights Movement. Since 1971, more than twenty Negro League players have been inducted—some posthumously—into the Major League Baseball Hall of Fame in Cooperstown, New York. ![]() Carole Boston Weatherford’s A Negro League Scrapbook recreates what life was like on and off the field for African American baseball players before Jackie Robinson broke Major League Baseball’s color barrier. With lively verse, fascinating facts, and archival photographs, this is a celebration of the Negro Leagues and the stellar athletes who went unrecognized in their time. |
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