So do I stick my head into that glass-enclosed rectangular box? Will it fry my brain? Or will the damage show up in 20 years? Will my head come out looking like those primitive shrunken heads that repelled and fascinated me as a child?
I’ve volunteered to have my head 3-D printed, and am checking out the equipment at the State University of New York. As it turns out—great relief—I don’t have to stick my head into the box after all; that’s where the “printing” occurs, not the scanning.
The professor tells me to just sit upright and stay super still on a chair for a little over a minute, while his assistant uses a hand-held scanner—making several passes of the sides and top of my head and neck from about 30 inches away.
In a couple minutes, the glass box starts to make noise and comes alive. The “printing” begins. For the color of my little sculpted head, I’m given a choice of red or white. Red seems a bit creepy, so I go for white. The plastic substance is long and cord-like, about 1/8 inch in diameter, and wrapped around a big spool at the back of the printer. One thin white layer after the other is laid down. It builds up, and slowly a tiny replica of my head begins to take shape. Half an hour, and it’s done.
Sure enough, this looks like a miniature Roxie, about 2 inches high, with a flat back where it lay down on the printer, although the machine appeared to have quit just before it reached the tip of my nose, which is kind of cut off.
So what can be done with this new kind of printing? Well, it is already being used in dentistry for making crowns. Jewelry can be created from metals, even gold. You can actually make plastic guns using this method. Unfortunately (or should I say fortunately), they don’t work very well—the plastic gets distorted rapidly from the heat and action of shooting a bullet.
But maybe the most fun is making food. Nursing homes in Germany are taking pureed food and making it into appetizing shapes. NASA is researching making 3-D pizza in space. Instead of white plastic maybe I should have asked for chocolate—and turned myself into a delicious dessert.
Roxie and her mini-me.
(c) Roxie Munro 2014
Using works from the National Gallery of Art by Vincent Van Gogh, Mary Cassatt, Edward Hopper, and others, Roxie Munro has created an innovative introduction to art. As an artist contemplates her next painting, she introduces genres and subjects, showcasing reproductions of great works. The sweeping painting she creates cleverly incorporates all 37 pieces she has considered.
Children can have fun finding the masterpieces in her painting and learn more about the artists in the notes in the back matter.
Read a review here.
MLA 8 Citation
Munro, Roxie. "Getting Your Head 3-D Printed." Nonfiction Minute, iNK Think Tank, 20 Sept. 2017, www.nonfictionminute.org/the-nonfiction-minute/getting-your-head-3-d-printed.
The Explainer General
Gigantic earthquakes rocked the Midwestern United States between December 16, 1811, and February 7, 1812. A fault in our continent’s stone base runs beneath the Mississippi River near what is now New Madrid, Missouri. Unequal pressures built up on both sides of this fault and the sides slipped to ease the pressure. Whammo—the first of 3 earthquakes from these slips was felt as far away as New York City, Washington, DC, and Charleston, South Carolina.
There were no scientific instruments to measure the New Madrid Quakes in 1812 so geologists have sifted through widespread accounts from old journals and newspapers for data. Putting the accounts together on a map, we know the quakes were felt over an area of 1,930,000 square miles. They earthquakes began with a pair of terrific shocks at 2:15 and 7:15 local time on the morning of December 16, 1811, both measuring 7.2 - 8.1 on the Richter scale. They were followed by a 7.0 - 7.8 quake on January 23, 1812, and a 7.4 - 8.0 event on February 7, 1912.
The quakes were violent, earth-shifting events. There have been even more powerful earthquakes in Alaska and Hawaii, both vulnerable to deep geological pressures, But the New Madrid quakes are the largest to ever occur in the original forty-eight states. Yet little damage or loss of life was reported. The region was then part of Louisiana Territory, sparsely inhabited with small villages and only a few multi-story masonry buildings. We can’t know how many log cabins or small home chimneys were thrown down, or how many Native Americans were affected.
Coincidentally, the first steam paddle-wheeler on the Mississippi, the New Orleans, invented by Robert Fulton, was making its first trip south during the quakes. Land heaves caused massive waves to travel up and down the river. When the little southbound New Orleans met one of these waves it seemed that the great Mississippi was running backward. Some land rose, riverbanks crumbled, some land subsided and formed new lakes. The river’s course was so changed that maps were useless, and the steamboat did a remarkable job of “feeling its way” through the new channels to dock at New Orleans on January 10, 1812.
We’ve come to expect earthquake and volcanic activity around the Pacific “Ring of Fire,” and other hot-spots of geologic shift, but the New Madrid Quake was the product of an unexpected fault in earth’s crust we now call the New Madrid Seismic Zone. And, yes, there is the possibility of similar earthquakes from this zone in the future. The Earth that seems so solid is secretly restless.
Jan Adkins is not only a writer, but also a wonderful illustrator. His personal website is under construction at the moment, but if you would like to find out more about him and see a list of his very well known books, click here.
Adkins is a member of iNK's Authors on Call and is available for classroom programs through Field Trip Zoom, a terrific technology that requires only a computer, wifi, and a webcam. Click here to find out more.
MLA 8 Citation
Adkins, Jan. "Earthquakes on the Mississippi?" Nonfiction Minute, iNK Think Tank, 25 Sept. 2017, www.nonfictionminute.org/the-nonfiction-minute/earthquakes-on-the-mississippi.
The Master Chef of Kids’ Hands-On Science
Dr. Hugh Willoughby, of Florida International University, was one of the first meteorologists to ever fly into the eye of a hurricane. Now the job is done by the Hurricane Hunters—a team of pilots, navigators and meteorologists who fly into these dangerous storms to help keep us safe. Here’s what I learned when I interviewed Hugh Willoughby:
What is a hurricane eye?
Hurricanes are circular storms so the wind blows around in a circle. The eye is the center of a hurricane. If a circular storm doesn’t have an eye, it is not a hurricane—it’s a tropical storm. The eye is surrounded by a ring of clouds called the eyewall. Within the eye, there is a calm area that is cloudless all the way up to space. The winds are strongest just at the inner edge of the eyewall, which is composed of violent thunderstorms with strong updrafts and downdrafts. The hurricane pinwheels out from the eyewall as spiral bands of wind and rain, which stretch for miles. When a hurricane’s eye passes over land, the storm suddenly stops and the sun comes out. But the relief is short-lived as the other side of the storm soon slams into the area.
How do Hurricane Hunters help us?
Hurricane Hunters fly into the eye of hurricanes that are heading towards our shores to help predict where the storm will make landfall. On every mission they must find the center of the storm at least twice and at most four times over a period of several hours because the change in position of the center of the eye tells us the direction the storm is moving and how fast it is moving. They also drop packages called dropsondes that contain measuring instruments for air pressure, humidity, and wind speed at the eyewall. These measurements tell us the destructive power of the storm or its “category.” During a hurricane season (from June 1 to November 30) the Hurricane Hunters and their fleet of ten airplanes can get data on three storms, twice a day. So flying into a hurricane’s eye is pretty routine for them.
Is it dangerous?
The planes can easily handle changes in air pressure and wind speeds that create “bumps” and it can be pretty bumpy going through the eyewall. But, in more than sixty years there have been only four accidents. All on board agree that the view of the eyewall from inside the eye is worth it! The plane has transported them inside nature’s most magnificent amphitheater.
(c) Vicki Cobb 2014
Harvey and Irma have alerted everyone to the dangers of a hurricane. We can predict the course of a hurricane by flying into a hurricane and repeatedly measuring wind speed, humidity, air pressure, and temperature. Here's a video that will give you a taste of what it looks like as you approach an eye wall. It is filmed from a plane penetrating Hurricane Katrina.
MLA 8 Citation
Cobb, Vicki. "Flying into the Eye of a Storm." Nonfiction Minute, iNK Think Tank, 18 Sept. 2017, www.nonfictionminute.org/the-nonfiction-minute/ flying-into-the-eye-of-a-storm.
Sneed B. Collard III
Several years ago, I rode the world’s fastest elevator to the top of one of the world’s tallest buildings—Taipei 101. Shaped like an elegant stalk of bamboo, Taipei 101 soars 1670 feet above the island nation of Taiwan. However, the engineers who designed the building faced two monumental challenges. The first is that dozens of earthquakes shake Taiwan each year. The second is that in an average year, Taiwan gets hammered by three or four hurricanes, or typhoons.
How, engineers wondered, could they keep people comfortable inside Taipei 101 when it swayed back and forth? More important, how could they keep the building from getting damaged or collapsing in a massive earthquake or 100 mile-per-hour winds?
One solution: a damper ball.
Damping devices are weighty objects that can reduce the motion of a bridge, building, or other structure. In the case of Taipei 101, engineers placed the damper ball near the top of the building—the part that sways the most. The ball is hung from thick cables inside the building and rests on giant springs or “dampers.”
One of Isaac Newton’s basic laws of physics is that an object at rest tends to stay at rest—and the damper ball proves it. Every time Taipei 101 starts swaying, the damper ball wants to stay where it is and “pulls back” on the building, reducing how far the building moves. When the building sways in the opposite direction, the process repeats itself—but in the reverse direction. Of course the building also pulls on the damper ball, but the ball’s movements are restricted by the dampers it presses against.
Does the system work? You bet. The damper ball inside of Taipei 101 reduces the building’s movement by 30 to 40 percent!
Of course not just any damping device could protect an enormous building like Taipei 101. Taipei’s damper ball weighs 1.5 million pounds—as much as two fully-loaded jumbo jets. It is composed of 41 circular steel plates that stand taller than a one-story house. In 2008, when a giant earthquake hit mainland China, the people of Taiwan could feel it hundreds of miles away. The damper ball did its job, resisting Taipei 101’s movement, keeping the building safe. During Typhoon Soudelor in 2015, the damper again worked like a charm, protecting the building against 100- to 145-mile-per-hour winds.
Besides protecting Taipei 101, the damper ball has become a major tourist attraction. Each year, thousands of visitors ride to the 89th floor. They take selfies next to the damper ball. They even take “Damper Baby” souvenirs home with them. If you’re ever lucky enough to visit Taiwan, check it out!
The damper ball is visible between the 89th and 91st floor of Taipei 101 and has become an attraction for tourists.
Sneed B. Collard III is author of more than eighty award-winning children’s books as well as a new book for educators, Teaching Nonfiction Revision: A Professional Writer Shares Strategies, Tips, and Lessons.
Sneed is a dynamic speaker and offers school and conference programs that combine science, nature, and literacy. To learn more about him and his talks, visit his website,.
To learn more about the damper ball and watch how it performed during Typhoon Soudelor, check out this article and video: http://www.thorntontomasetti.com/taipei-101s-tmd-explained/
MLA 8 Citation
Collard, Sneed B. "Damping Down Danger." Nonfiction Minute, iNK Think Tank, 10
01 2018, www.nonfictionminute.org/the-nonfiction-minute/
In spring 1665 a college student named Isaac Newton studied natural philosophy, what we call “science.” Back then, a good student could learn everything to know about the natural world. But plague, the Black Death, came to England. Cambridge University closed. Isaac went home to Woolsthorpe.
For two years Isaac thought about his studies during four years at university. He’d always been thoughtful—not the best at games, making friends, or minding sheep. But everybody knew Isaac Newton liked to think. Folks told time by the sundial he’d drawn on a wall.
Home at Woolsthorpe, Isaac’s learning about science and math bubbled up in his head like yeast rising in a loaf of bread.
So... Newton unplugged. His mind roamed like that of an artist or composer. He was driven by the need to create—not paintings or symphonies, but questions.
“Why do things always fall down?”
“Why does the earth move around the sun?
“Why doesn’t the moon fall onto the earth?”
“Does everything ‘up there” work like things work ‘down here?’”
Isaac Newton answered his questions with three science rules, Newton’s Laws of Motion.
At Woolsthorpe, Newton grappled with the concept of moving objects. He worked out the math to find the area under curves. He called this math fluxions. Today we call this calculus, useful for launching rockets or tracking TV signals.
Once back at Cambridge, Newton said nothing until he read someone else’s paper on fluxions. Newton published a better paper. Soon he was Cambridge’s top math professor.
Isaac Newton wondered another twenty years. He played with prisms in a dark room and theorized that white light comprises the visible spectrum of red, orange, yellow, green, blue, indigo, and violet. He practiced alchemy and chemistry, looking for the legendary philosopher’s stone to turn base metals to gold. In 1687, Newton published our most important science book, the Principia.
In the Principia, Newton showed how laws of gravity and motion work the same at great distances—far off in space, or in your classroom. We accept these ideas, but in 1687 many still had medieval beliefs that sun, moon, planets, and stars all traveled in their own crystal spheres.
Yes, Newton wondered about A LOT:
Sir Isaac Newton was an English mathematician, astronomer, theologian, author and physicist who is widely recognized as one of the most influential scientists of all time and a key figure in the scientific revolution. Based on a portrait by Godfrey Kneller, 1702, via Wikimedia Commons
Sir Isaac Newton's own first edition copy of his Philosophiae Naturalis Principia Mathematica with his handwritten corrections for the twentieth edition. Photograph Andrew Dunn via Wikimedia Commons
Trinity College, the part of the University of Cambridge where Newton worked and lived. Library of Congress
This statue of the young Isaac Newton stands at the Oxford University Museum of Natural History. Look carefully around his feet for a hint on what he is wondering about. If you can’t figure it out, then read about Newton and gravity.
Featuring 21 hands-on projects that explore the scientific concepts Isaac Newton developed, Kerrie Logan Hollihan's Isaac Newton and Physics for Kids paints a rich portrait of the brilliant and complex man and provides readers with a hands-on understanding of astronomy, physics, and mathematics. A time line, excerpts from Newton's own writings, online resources, and a reading list enhance this unique activity book.
MLA 8 Citation
Hollihan, Kerrie Logan. "Isaac Newton's Wonder Years." Nonfiction Minute, iNK
Think Tank, 21 Feb. 2018, www.nonfictionminute.org/the-nonfiction-minute/
For Vicki Cobb's BLOG (nonfiction book reviews, info on education, more), click here: Vicki's Blog
The NCSS-CBC Notable Social Studies Committee is pleased to inform you
that 30 People Who Changed the World has been selected for Notable Social Studies Trade Books for Young People 2018, a cooperative project of the National Council for the Social Studies (NCSS) & the Children’s Book Council