Category: Art

The Oldest Trees on Earth

10/19/2021

Alexandra Siy
STEM through the lens

In 1953, a scientist named Edmund Schulman discovered that bristlecone pines are the world’s oldest trees. They live high in the mountains—between 9,000 and 11,000 feet above sea level where the soil is rocky, the air is as dry as a desert, and the temperatures are extremely hot in summer and cold in winter. Most ancient bristlecones grow in California’s White Mountains and Nevada’s Snake Range, and scientists now know that some of these trees are more than 5,000 years old. They are the oldest known living things on the planet.

Edmund Schulman used a boring bit, a tool shaped like a drinking straw, to drill into old trees and pull pencil shaped pieces of wood called cores out of the trunks of very old trees. Cores contain patterns of stripes. One stripe represents one year of growth. Schulman counted more than 4,600 stripes from a tree he named Methuselah--after the oldest man in the Bible.

Today, the Methuselah Tree’s exact location is kept secret to protect it from too many visitors. Like all ancient bristlecone pines, Methuselah’s annual growth rings contain secrets spanning thousands of years—secrets that are being discovered by scientists who know how to “read” tree rings. Rainfall, fires, volcanoes, droughts, and climate changes, are literally recorded in the growth rings.

In the summer of 2011, I went searching for Methuselah. I brought along my camera. Although I am not a tree-ring scientist, I did my own research using my five senses. I tasted the pitch and pollen from cones (it was a little bit bitter); smelled the bark (it smelled like rain); touched wind sculpted and sun bleached wood surfaces (it was smooth and grooved); listened to the sound created when I tapped the rock-hard wood (it was sharp and short); and I was amazed by their strange forms and colors (they looked like dancers).

Did I find Methuselah during my adventure? Actually, when I stopped searching,Methuselah found me. I will share that story along with a lot of science, in the book I am writing. But I won’t publish Methuselah’s photo or location. Some things must be kept secret.

These ancient bristlecones in the White Mountains of California look like they are dancing together. ©Alexandra Siy

Alexandra Siy says, "I write books that put the "A" into STEM! Reading about science should be as creative and fun as doing science. Science is not simply information and facts--it's about questions, exploration, and the process of discovery. My books are illustrated with real scientific images that bring alive the stories that inspire kids to think like scientists! " If you would like to know about some of her award-winning books, click here.

Alexandra Siy is a member of iNK's Authors on Call and is available for classroom programs through Field Trip Zoom, a terrific technology that requires only a computer, wifi, and a webcam. Click here to find out more.

MLA 8 Citation
Siy, Alexandra. "The Oldest Tree on Earth." Nonfiction Minute, iNK Think Tank, 10 Oct. 2017, www.nonfictionminute.org/the-nonfiction-minute/the-oldest-trees-on-earth.

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Lemuel's Bridge

10/6/2021

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Roxie Munro
Visual Thinker

“What is this country bumpkin up to? Is this some kind of a joke?” Laughter rippled through the conference room in Richmond as Lemuel Chenoweth unloaded his saddlebags and took out a bunch of oak sticks wrapped in newspapers.

He was the last builder to show his plans for the great competition in 1850 to build a bridge across the Tygart River in western Virginia (now West Virginia). Only a ferry connected the bustling north-south throughway at Philippi, causing traffic jams and the slowing of our young nation’s relentless commerce and travel.

Engineers had come from all over the east to show their plans … blueprints of cable suspension bridges, fancy cantilevered structures, an arched bridge. It had to be durable, and support wagonloads of heavy goods and herds of livestock. ridge across the Tygart River in western Virginia (now West Virginia). Only a ferry connected the bustling north-south throughway at Philippi, causing traffic jams and the slowing of our young nation’s relentless commerce and travel.

Quietly Lemuel assembled a miniature bridge, using no hammer or nails. Compared to the fancy bridge models shown, his was plain. Then, he pulled out two chairs, placed his construction across them, and spoke.

“Since I have no blueprints,” he said, “you may allow me a demonstration.”

Suddenly he stepped up onto the top of the model, and walked across it--from one end to the other. A gasp went up. No way could it hold! They knew their mathematics. Had this been the actual bridge it would have been as if a six-hundred-foot man stood on it. But the model held, and in the hushed silence that followed, Lemuel turned to the other contestants and asked, “Can you stand on your models?”

No one dared. They all knew theirs would be crushed.

And that's how Lemuel Chenoweth, a shy western Virginian with a third-grade education, won the competition for the famous Tygart River Bridge.

The double-barreled bridge has survived fires, the Civil War, floods, and 18-wheeler trucks. It is the only covered bridge left in the US serving a federal highway. It has its own museum, and in 1983 Governor Jay Rockefeller declared June 15 Lemuel Chenoweth Day.

Lemuel started out making furniture, wagons, and coffins, and later built houses, a church, and many bridges. He married Nancy Hart, the great-granddaughter of John Hart, signer of the Declaration of Independence. They had 13 children.

So how do we know about this story?

Because Lemuel Chenoweth was my great-great- granddaddy, and throughout my childhood I heard the story of Lemuel, the model bridge, and the two chairs.

Roxie Munro's newest book uses thirty-seven of her favorite masterpieces by great artists as an inspiration for her own masterpiece that is a cityscape and a game. You can read a review of the book here.

Roxie is also a member of iNK's Authors on Call where you can invite her to your classroom virtually.

MLA 8 Citation
Munro, Roxie. "Lemuel's Bridge." Nonfiction Minute, iNK Think Tank, 16 Oct. 2017, www.nonfictionminute.org/the-nonfiction-minute/lemuels-bridge.

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Vincent Van Gogh and the Case of the Missing Ear

10/15/2020

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Jan Greenberg
celebrates the arts
(with Sandra Jordan)

Self-portrait with Bandaged Ear, 1889, with an easel and a Japanese print in the background. The artist collected these prints when he lived in Paris

Who was Vincent Van Gogh? Ask around and most people come up with the same answer. He was the famous artist who cut off his ear. What is the truth about Vincent Van Gogh? Was he a great painter because he led a life of extremes? Or was he a great painter despite his disordered life?

Several years before his death, he began to experience seizures and blackouts during which he heard voices and behaved strangely. Are the pulsating spirals, undulating lines and dizzying stars of his late paintings what he saw when he was having an attack? Or are they the result of a style he developed painstakingly through years of hard work?

In 1888, Vincent moved to Arles in the south of France. He planned to establish an artists’ commune where his friends could live together to create a new direction in painting. Vincent persuaded the artist Paul Gauguin, who was desperate for money, to move to Arles to help him. Vincent also was lonely.

For two months Gauguin lived in the Yellow House Vincent had lovingly filled with paintings hoping to impress his friend. Gauguin bossed Vincent around and criticized his artwork. Eventually, when Gauguin sold a few paintings, he threatened to abandon Vincent.

Finally, on Christmas Eve, after a quarrel at dinner, Gauguin stalked off into the streets. Vincent followed him. What happened next is unclear, but Vincent returned to the Yellow House alone and cut off his earlobe (not the whole ear) with a razor. Vincent couldn’t remember the details of this terrible night. But when he was discharged from the hospital a few weeks later, he went right back to work.

There have been many theories about Vincent’s condition. The theory most generally accepted is that he suffered from epilepsy, a disease that could have caused his seizures and hallucinations and for which there was no medication. In Vincent’s case, another reason for his “attacks” might have been his habit of drinking absinthe, an alcoholic drink popular in 19th century France. It contains a strong nerve poison, now illegal in most countries.

Today many popular performers advertise how dangerous and extreme their lives are by writing shocking lyrics and acted outrageously on stage. They are mimicking the lives of artists such as Van Gogh. But he was not advertising or pretending. He just wanted to be useful—to make art that would last. His glorious paintings are the result of his discipline and dedication, despite the turmoil of his life.

Vincent Van Gogh, The Yellow House, 1888, oil on canvas, Van Gogh Museum, Amsterdam. This is the house at 2 Place Lamartine, Arles, France, where, on May 1, 1888, Vincent van Gogh rented four rooms and where Paul Gauguin lived for nine weeks from late October, 1888. The left wing housed a grocery (French: Comestibles, inscribed on the signboard over the marque). Van Gogh indicated that the restaurant, where he used to have his meals, was in the building painted pink close to the left edge of the painting.

If you are interested in finding out more about Vincent Van Gogh, Jan Greenberg and Sandra Jordan have written an award-winning book on the subject. Click here for more information.

MLA 8 Citation
Greenberg, Jan. "Vincent Van Gogh and the Case of the Missing Ear." Nonfiction Minute, iNK Think Tank, 20 Oct. 2017, www.nonfictionminute.org/the-nonfiction-minute/vincent-van-gogh-and-the-case-of-the-missing-ear.

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The Birth and Growing Pains of the First National Park

5/12/2020

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Jim Whiting
The Running Encyclopedia

Though people have lived in the Yellowstone National Park region for at least 10,000 years, it was only “discovered” in 1807 by mountain man John Colter. People scoffed at his descriptions of the famous geysers and other features as “fire and brimstone.” Succeeding descriptions by other men during the following decades received similar dismissals.

An expedition led by geologist Ferdinand Hayden in 1871 established the reality of Colter’s observations. Its members included noted landscape painter Thomas Moran and photographer William Henry Jackson. Hayden immediately realized the potential of the area. Aided by the stunning images Moran and Jackson produced, he persuaded Congress to set aside the area as a national park—the first in the United States and perhaps the world. President Ulysses S. Grant signed the bill establishing the park on March 1, 1872.

It was hardly an instant success. The new park’s remoteness and lack of amenities made it accessible only to the hardiest of travelers. Only about 300 people visited it in the first year.

Compounding the problem of access was the disapproval of many people who lived near the park. They wanted to continue to hunt its wildlife and cut down its trees for lumber as well as begin to mine its minerals.

It was difficult to exercise any control over the situation. Congress refused to provide more than a pittance for the park’s protection.

A key development came in 1886 when US Army General Phil Sheridan, acting on his own authority, ordered troops to take control of Yellowstone Park. They built Camp Sheridan (later renamed Fort Yellowstone) inside the park boundaries. Though their presence helped curb poaching and mining, they had little authority to punish offenders.

George Bird Grinnell, publisher of Forest and Stream magazine and founder of the Audubon Society, had long promoted the park even though he lived in New York City. He linked up with rising politician (and future president) Theodore Roosevelt to take advantage of a notorious poaching incident in 1894 and help pass the Lacey Act the same year. The new law provided “teeth” to prosecute lawbreakers.

By then, travel to Yellowstone had become a little easier. Railroads dropped off visitors near the park entrance. They boarded stagecoaches which took them to newly established lodging facilities. And by 1916, when Yellowstone became part of the newly established National Park Service, automobiles were making the park much more accessible. Today more than 3 million people thrill to Yellowstone’s natural wonders every year.

Ferdinand V. Hayden's map of Yellowstone National Park, 1871

Thomas Moran painted Tower Creek, Yellowstone, while on the Hayden Geological Survey of 1871.

Union Pacific Railway Brochure Promoting Travel to Park (1921)

Great Falls of the Yellowstone", U.S. Geological and Geographic Survey of the Territories (1874 - 1879) Photographer: William Henry Jackson

Old Faithful geyser erupts about every 91 minutes. "Old Faithful Geyser Yellowstone National Park". Licensed under Public Domain via Wikimedia Commons

National Grand Canyon located in the Yellowstone Park

Jim Whiting was a voracious reader when he was a kid, and now he has turned into a voracious writer. He writes books on adventure, sports, history, and most of all, he writes about people. One of his biography series is "Modern Role Models," featuring such popular titles as David Beckham, Jeff Gordon, and Tim Duncan. For more information on the series, click here.

MLA 8 Citation
Whiting, Jim. "The Birth and Growing Pains of the First National Park."
Nonfiction Minute, iNK Think Tank, 8 May 2018, www.nonfictionminute.org/
the-nonfiction-minute/The-Birth-and-Growing-Pains-of-the-First-National-Park.

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Fantastic Ekphrastic Poetry

4/15/2020

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Carole Boston Weatherford

The Poet Professor

The Library of Congress Prints and Photographs Department has a wealth of primary source images. Many are from the Farm Security Administration/Office of War Information (FSA/OWI) Collection, a vast pictorial record of American life between 1935 and 1944. The collection boasts 174,000 black-and-white and 1,600 color photographs taken by government-employed photojournalists such as Walker Evans, Russell Lee, Arthur Rothstein, Jack Delano, Marion Post Wolcott, Carl Mydans, Dorothea Lange and Gordon Parks.

I first mined this collection in the 1980s—long before it was digitized or available online. Back then, I was researching my book, Remember the Bridge: Poems of a People (2002). I sought pictures to pair with poems that I had already penned. I found the desired images as well as others that spoke to me and begged for poems.

I didn’t realize it then, but I was writing ekphrastic poetry. According to the Poetry Foundation, “An ekphrastic poem is a vivid description of a scene or, more commonly, a work of art.” Romantic poet John Keats’ “Ode to a Grecian Urn” is a famous example.
I have since written more ekphrastic poems—two inspired by iconic images from the FSA/OWI collection. Gordon Parks: How the Photographer Captured Black and White America and Dorothea Lange: How the Photographer Found the Faces of the Depression tell the stories behind Parks’ 1942 “American Gothic” and Lange’s 1936 “Migrant Mother.” The resulting verse biographies go beyond describing the images to paint pictures of the photographers themselves.

Parks, a pioneering African American Renaissance man, documented racism in the nation’s capital by photographing Ella Watson, a government custodian who supported her family on $1,000 a year. Lange’s photo of a migrant mother and her starving children shows the misery caused by the Dust Bowl. Newspapers published these powerful photographs, exposing poverty and injustice.

Are you ready to browse the FSA/OWI collection online? Perhaps, start here. Choose one photograph that moves you. A gaze that will not let you look away. A face full of stories. A scene that draws you in. A landscape that transports you. Then, draft your poem. Write from that time and place, in the voice of the subject, the photographer, or a bystander. Read your draft aloud to yourself. Then, revise. When finished, arrange your poem and the photograph on the same page.

This biography of Gordon Parks contains Carole's ekphrastic by the picture on the right called "American Gothic."

Dorathea Lang took the picture on the right, "Migrant Mother," which inspired Carole to write an ekphrastic poem for her book.

"American Gothic" portrait by Gordon Parks.

"Migrant Mother" portrait by Dorothea Lange.

Carole Boston Weatherford writes hybrid genre poetry, nonfiction and biographies. BOX: Henry Brown Mails Himself to Freedom chronicles one of slavery’s most daring escapes.

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The Oldest Trees on Earth

Lemuel's Bridge

Vincent Van Gogh and the Case of the Missing Ear

The Birth and Growing Pains of the First National Park

Fantastic Ekphrastic Poetry

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